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Tausug cultural performance with traditional brass kulintangan gong ensemble and performers in bright colourful malong attire in Semporna, Sabah
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Suluk of Sabah: Sulu Sultanate, Pangalay Dance & Culture

Last updated: 7 October 2026

Who are the Suluk and Tausug?

The Suluk (the local Sabah name) and Tausug (the self-designation, usually translated as "people of the current") are the same ethnic group: descendants of the Sulu Sultanate who inhabit Sabah's east coast. The 2020 census counted 72,734 Suluk among Malaysian citizens in Sabah (DOSM, Census 2020 Sabah, Table 5, checked 7 October 2026). Non-citizens are not counted by ethnicity, so the full number, including undocumented and stateless people, is not known.

The Suluk are concentrated in Semporna, Lahad Datu, Sandakan, and Tawau — the east coast towns historically connected to the Sulu Sea trading networks. Their links with Sabah are old: the Sulu Sultanate held rights over much of North Borneo before the British North Borneo Chartered Company (BNCC) began ruling the territory in 1881 (Sabah state government, checked 7 October 2026).

The Tausug are known for their Islamic faith, brass metalwork traditions, the elegant Pangalay hand dance, and the kulintangan gong ensemble — a musical tradition that places them at the heart of the broader Sulu Sea cultural world shared with southern Philippines communities.

What was the Sultanate of Sulu and what is its connection to Sabah?

The Sultanate of Sulu was a maritime state centred on Jolo in the Sulu Archipelago, in today's southern Philippines. It traded across the Sulu Sea and held rights over parts of the northern and eastern coast of Borneo, including much of present-day Sabah.

In 1878, Sultan Jamal al Alam of Sulu signed an agreement with Baron de Overbeck and Alfred Dent, whose interests later passed to the British North Borneo Company. It granted large parts of Sabah in return for 5,000 Mexican dollars a year (FMT, checked 7 October 2026). The critical ambiguity: Malaysia interprets these payments as a permanent cession of sovereignty; the Philippines and heirs of the Sulu Sultanate interpret them as a lease that is still in force.

This interpretation dispute is the legal basis of the Philippines' territorial claim on Sabah. Malaysia kept paying the heirs the equivalent of RM5,300 a year after 1963, but stopped after the 2013 Lahad Datu intrusion (FMT, checked 7 October 2026).

ℹ️ The 2022 arbitration award

On 28 February 2022, arbitrator Gonzalo Stampa issued a "Final Award" of US$14.9 billion against Malaysia in favour of claimants descended from the Sulu Sultanate, after a Spanish court had already annulled his appointment. Malaysia did not recognise the process. The Paris Court of Appeal refused to recognise the earlier partial award in June 2023, France's Court of Cassation upheld that in November 2024, and on 9 December 2025 the Paris Court of Appeal annulled the Final Award in full (Bernama, checked 7 October 2026).

What is the 2013 Lahad Datu intrusion?

On 9 February 2013, gunmen led by Agbimuddin Kiram, brother of the self-proclaimed Sultan of Sulu Jamalul Kiram III, began landing in batches at Kampung Tanduo in Lahad Datu, saying they had come to "reclaim" their ancestral land (The Star, checked 7 October 2026).

Malaysian security forces responded under Ops Daulat. Ten Malaysian security personnel, six civilians and 56 intruders were killed, and Ops Daulat ran until 29 June 2013 (The Star, checked 7 October 2026). A Bernama report puts the number of intruders killed at 68 and says the conflict was declared over on 10 April 2013 (The Sun / Bernama, checked 7 October 2026).

The Lahad Datu intrusion had important consequences: it significantly increased Malaysian security presence on the east coast; it heightened tensions around Suluk and Filipino communities in Sabah (many of whom had no connection to the incident but faced increased scrutiny); and it revived debate over the Philippines' Sabah claim. Malaysia formed the Eastern Sabah Security Command (ESSCOM) in 2013 in response (Twentytwo13, checked 7 October 2026).

The 2013 armed group came from outside Sabah. It should not be confused with the Suluk community resident in Sabah.

What is the Suluk stateless situation in 2024-2025?

Some people of Suluk descent in Sabah, including children born to undocumented parents from the Philippines, do not hold Malaysian citizenship and are undocumented or stateless. The 2020 census counted 810,443 non-citizens in Sabah, 23.7% of residents, but does not break them down by ethnicity or nationality (DOSM, Census 2020 Sabah, Table 5, checked 7 October 2026). There is no official count of undocumented or stateless Suluk.

Foreign workers can work legally in Sabah on temporary work permits (PLKS), but a work permit is not citizenship.

Documentation Status Numbers Key Rights
Malaysian citizens (registered Suluk) 72,734 (Census 2020) Full citizenship rights, vote, public education, healthcare
PLKS (temporary work permit) Not published by ethnicity Legal to work in specific sectors; no citizenship rights
Undocumented / Stateless No official count Risk of arrest and deportation; limited access to schooling and healthcare

What is traditional Suluk / Tausug culture?

The Tausug are a people of profound cultural richness — shaped by centuries of maritime trade, Islamic scholarship, and political sovereignty. Their material culture reflects this heritage at every level.

Brass culture: Brass craftsmanship is central to Tausug cultural identity. Traditional brass objects include lantaka (brass cannons, historically used to defend Sulu trading vessels), ornamental betel nut boxes with intricate geometric engravings, oil lamps, vases, and ceremonial serving vessels. Brass objects were symbols of status and accumulated wealth.

The Kris (Keris): The Tausug carry the keris — the wavy-bladed ceremonial dagger of the Austronesian world — as a powerful cultural symbol. Tausug kris are decorated with intricate gold and silver work and carved wooden hilts. They are carried at ceremonies, presented as gifts at weddings, and passed as family heirlooms.

Malong: The traditional wrap-around cloth worn by both men and women. Tausug malong feature bold geometric batik-like patterns in rich colours — reds, golds, and greens. They are used as clothing, prayer mats, baby carriers, and decorative wall hangings.

Kulintangan: The gong ensemble that is the musical heart of Tausug cultural life. A row of small gongs of different pitches, played by a single performer with padded sticks, produces interlocking melodic patterns. Accompanied by larger hanging gongs (agong) and a drum (gandang), the kulintangan ensemble creates the characteristic sound of Tausug celebrations — weddings, circumcisions, and cultural festivals.

What is the Pangalay dance?

The Pangalay is the traditional hand and finger dance of the Tausug. Usually performed by women, the Pangalay emphasises incredibly fluid, hypnotic movements of the hands, wrists, and fingers — bent back at extreme angles, flowing in wave-like sequences, alternating between sharp angular positions and liquid grace.

Skilled Pangalay dancers wear brass janggay — elongated finger extensions of polished brass that exaggerate the finger movements and catch the light. The janggay make the flowing hand gestures even more visually dramatic. The full performance costume includes a malong, beaded accessories, and elaborate headdress.

The Pangalay can be seen at Suluk weddings and cultural celebrations and at Sabah-wide cultural festivals.

What language do the Suluk speak?

Suluk, also called Tausug or Bahasa Sug, is the language of the Suluk community. The 1984 survey of Sabah's languages found that Sabah Suluk is the same language as Tausug, the trade language of the southern Philippines, and classed it as a language group of its own. It is not part of the Bajau family, although borrowing has made Bajau and Suluk share many words (Smith, in King and King, 1984).

The Suluk are counted among the Sabah Bumiputera in the census. In Sabah, many speakers also use Sabah Malay for wider communication.

Tausug has a rich oral tradition of songs, chants and stories, much of it kept alive by older community members.

Frequently asked questions

Q How many Suluk live in Sabah?
The 2020 census counted 72,734 Malaysian citizens in Sabah who identify as Suluk. Non-citizens are not counted by ethnicity, so the total number of Suluk and Tausug in Sabah, including undocumented and stateless people, is not known. They live mainly in the east coast towns, such as Semporna, Lahad Datu, Sandakan and Tawau.
Q Is it safe to visit Semporna and the Suluk areas of east Sabah?
The vast majority of eastern Sabah — including Semporna, Lahad Datu, and Sandakan — is safe for tourists and is visited by thousands of divers and travellers annually. The 2013 Lahad Datu intrusion was carried out by an armed group from the southern Philippines. Sabah's resident Suluk community are ordinary residents. Standard travel precautions apply. Check your government's current travel advisories before visiting.
Q What is the Sulu Sultanate's claim on Sabah?
The Philippines has a long-standing claim to Sabah based on the Sulu Sultanate's historical rights. Under an 1878 agreement, the Sultan of Sulu granted large parts of present-day Sabah to Alfred Dent and Baron de Overbeck in return for 5,000 Mexican dollars a year. Malaysia treats the agreement as a cession of sovereignty; claimants describe it as a lease. Malaysia kept paying the heirs the equivalent of RM5,300 a year until it stopped after the 2013 Lahad Datu intrusion. Sabah joined Malaysia in 1963 and Malaysia rejects the claim.
Q What is Kuntaw martial arts?
Kuntaw (also spelled kuntau) is a traditional martial art practised among the Tausug and neighbouring communities of the Sulu Sea region. It is often shown as a performance at cultural events.
Q Can visitors experience Tausug culture in Sabah?
Semporna is a good base. Its Regatta Lepa festival celebrates the Bajau maritime heritage of the area and is open to visitors (dates vary; it ran 20 to 28 June in 2026). Lahad Datu also has a large Suluk community. Cultural performances and visits can be arranged through local guides and cultural organisations.
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